NO, NO, NO. DO NOT DO THAT.

stop sign

I have an idea for a story. I enjoy Battlestar Galactica, so I think Apollo or Starbuck should be in my story. I love watching Dr. Who, so the much discussed Clara will have a place. Oh yeah, the doc from BSG is great, so he will be there.

Clichés are good, yes? I love clichés, it makes the story run so much smoother.

How could I forget? Explanation for every little action any of my characters make is a no-brainer; because, duh, how will anyone know what is happening without detailed exposition for every action?

Intense action sequences must be broken up with internal narrative; and inconsistencies during those scenes will go unnoticed, so I just gotta stick to the detailed explanations.

And this, this is the most important I have to remember: the tough, grizzled guy gets the woman who instantly falls for him upon meeting him, but she must also act stern and show she doesn’t give a shit when he reacts like a silverback gorilla challenging an intruder. People just won’t find it believable if she doesn’t show a little backbone.

facepalm

Let’s break down the reasons why the above is so wrong.

STEALING CHARACTERS

It is okay to take inspiration from a fictional or real person to create your fictional person. That’s perfectly okay. Nearly every single fictional character ever created has been inspired by person(s) of myth or reality or a little of both. What is wrong, is stealing wholesale from a character someone else has created.

For example: The Chief of Medical on Battlestar Galactica is an old man with silver hair, a rough voice, slight stoop to his back, and smokes cigarettes whenever he gives people bad news.

So, if your doctor is an old man with silver hair, a rough voice, slight stoop to his back, and smokes cigarettes whenever he gives people bad news; you’re not inspired from the doc on BSG, you’re just being lazily and stealing.

CLICHÉS

  1. The soldier with a lot of tattoos is a hot head and great in a fight.
  2. The man from a country in South America, he prays with a rosary before every mission even though he’s agnostic.
  3. A settled new planet has a bazaar, homes made out of rock, and low wealth, and is, of course, settled by people from Middle East nations.
  4. The tough guy leader has a checkered past, doesn’t care about himself cause he’s a leader, and he gets the girl.

The above are called, “clichés”, although I think number 3 is also an overt racist stereotype, and number 2 makes you seem ridiculously uneducated.

I wish I could say people hate clichés, but if that were the case The Big Bang Theory would not be popular. Clichés do ensure you’ll have a ton of really terrible reviews, and not nice things coming from word of mouth because of the lack of originality. You’ll never get away from every cliché, but don’t over do it and stay away from the stereotypes.

EASE UP ON THE EXPOSITION

No. I’ll say it again. No. You do not need to explain every little goddamn thing. If you are writing a military sci-fi book, you do not need to tell the reader what MRE stands for. If the person reading a military sci-fi book does not know what MRE stands for or what a MRE is, they are in a super duper tiny minority and they will look it up.

Explaining precisely why a character is going to do something, and then having the character do exactly what was in the previous two paragraphs is called, “telegraphing”. There is no such thing as good telegraphing, unless you are using a telegraph to send a message to another telegraph. You’re not though, you’re typing on a keyboard.

Ease up on the exposition, and while you’re writing, pretend for just a minute that your reader has an iota of intelligence and can figure something out without you having to paint the Mona Lisa in every paragraph.

INCONSISTENCIES

If you are in walking with maglev boots on the outside of a spaceship in the vacuum of space and you jump off…You will not land with a thud against the ship.

THE DAMSEL

Take a moment to look at what year it is. You’re reading this on a web browser; the date is going to be somewhere within eyesight.

It’s the year 2016 CE. It is not the Mad Men era in the 1950s.

If you create a character who is a giant asshole with mood swings so violent, he has an armed guard to meetings, the woman he talks to will not instantly fall in love with his rugged handsomeness and manly attitude when she meets him for the first time. She will not tell the guard to leave the room while he slams his fists on the table because his authority is being challenged. Seriously, if you think this is perfectly okay for a story…

book and coffee

I love reading; great stories, wonderful stories, just okay stories, it really doesn’t matter. However, authors are supposed to uphold some sort of standard with storytelling. Not everyone on Earth writes stories, which means being the bulwark against terrible storytelling falls to just a small percentage of all alive.

Let’s do the world good.

Let’s create magic with words.

 

Advertisements

YOU’RE WELCOME. 5 BINGE-READING WORTHY SERIES

Lots-of-books

 

It’s Friday afternoon, management told everyone to talk a halfday because the universe took a sudden liking to you. Traffic is light on the way home, every green light caught; everyone you know is off doing something for the weekend; your calendar is as empty as the pie plates at The Golden Corral; and your bookshelf is proudly displaying wonderful works of fiction in all their glory. Or it’s reality and you’d rather read than talk to people.

Whatever the reason, these book series will keep you so entertained you’ll wish a weekend is a year longer than it is.

 

THE PARADOX TRILOGY

fortunes pawn (Small)

What do you get when you combine Frank Castle, Black Widow, Jason Bourne, Joan of Arc, and Achilles? Answer: Devi Morris, the badass of all badasses.

The Paradox Trilogy follows the mercenary Devi Morris in a story with such tightly paced action you’ll give yourself papercuts flipping the pages as you follow her through a conspiracy, that if solved, could have horrific consequences for the human race.

This is action upon action set in a science fiction setting. Think: Expendables (if it were a good movie) + Star Wars.

 

THE FIRST LAW TRILOGY

Abercrombie_BladeItself-TP-300x463 (Small)

Welcome to grimdark fantasy, authored by none other than Lord Grimdark himself. Visceral style of storytelling that reimagines classic tropes, protagonists and antagonists who walk a moral gray line, bloody battles, raw animalistic magic, dead gods, a grim rather than romantic epic quest, and political backstabbing create a story that will go down in the annals as one of the finest fantasy series ever written.

At three books—hence, trilogy—if you start late afternoon on a Friday, you could finish Paradox and The First Law, and by saddened by how boring your life suddenly seems on Monday.

 

THE WHEEL OF TIME

eye of the world

The genre of fantasy is known for epics, so much so that there are entire blog entries dedicated to finding those fantasy books that happen to be standalone or not epic. And when it comes to epic people may automatically think of J.R.R. Tolkien and his Lord of the Rings, but it’s Robert Jordan’s successful The Wheel of Time that set has set the bar for what an epic fantasy series can be.

Wondering how that can be since LoTR is so well known, the movies so popular? Take a gander at these statistics:

10,188 pages. 1,379 POVs. 147 unique POVs. 23 nations.

The Wheel of Time is so epic, it redifines the the very word; and while a few of the books may seem like fluff, there just to make Tor Books and Jordan more money, the payout comes in the form of a jackpot with the last book, Memory of Light. The finale to the greatest epic fantasy ever written is so great, you better talk a month off when you begin on Eye of the World, to finish this classic struggle of good versus evil.

 

REVELATION SPACE

Revelation_Space_cover_(Amazon)

The Revelation Space books are not a series in the classic definition, but rather five books set in a shared universe. STOP! Don’t skip to the next series to binge on, now that you know this isn’t a series like a TV show. To do so would have catastrophic consequences to your imagination, as the books set in the Revelation Space universe are so amazing that they are the gold standard for hard sci-fi space opera.

What’s that? You don’t like hard sci-fi? I hear you, I’m not a big fan of the genre either. But the Revelation Space books are so marvelously written, to read them and not be entertained is all but an impossibility.

 

FIREFALL

echopraxia (Small)

Ahh the challenge of reading. For many, if they are told a storyline is so original it doesn’t follow normal tropes, and ideas are so…different the entire series reads like a piece of experimental fiction, those many would shake their heads and move on.

To do so with Blindsight and Echopraxia—books of Firefall—would be a disservice to your brain.

Yes, Blindsight has botany terminology that is difficult to wrap your head around and sometimes requires the use of a dictionary. True, Echopraxia has a plot arc that is, at best, challenging to wrap your mind around. However, the writing, plotting, pace, and original story are so wonderfully produced that very few authors alive—or dead—can match the superb results Peter Watts has achieved.